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Jerline & Friends: Best Of Friends [Streetsoul Records]

Soul DJ Andy Davies kick starts his new Streetsoul label in fine style with this Chicago rarity which he discovered on acetate whilst working at John Anderson’s Soul Bowl record shop during the mid 90s. After airing ‘Joy Trip (Part 1)’ on his radio show the track caused a huge buzz amongst the soul fraternity and has eventually resulted in this release. ‘Joy Trip (Part 1)’ is a majestic string fueled two stepper of the highest order but the album packed full of quality tunes covering northern, crossover and funk styles plus a great version of The Lovelites’ ‘Get It Off My Conscience’.

Nomumbah: Love Moves [Yoruba Records]

Nomumbah are Sao Paulo based trio Ale Reis, Rafael Moraes and Andre Torquato who drop their debut long player for Osunlade’s Yoruba records. ‘Love Moves’ is a beautifully produced album of deep house grooves incorporating heavy doses of Brazilian soul and jazz. Their version of Lo Borges’ ‘Tudo Que Voca Podia Ser’, which initially appeared on Osunlade’s ‘Ibara: River Crossing’ compilation is exceptional, as are ‘Outono’ with it’s squelchy bass and electro keys noodlings and the jazz-funk/broken-boogie flavour of ‘I Can Fly’. ‘Love Moves’ is really strong throughout though and deserves your full attention.

Brotherly: One Sweet Life [Music At Monumental]

After breaking onto the scene in 2005 with ‘Put It Out’ featuring Eska and following up with the excellent ‘Searching’ last year the duo of Rob Mullarkey and Anna Stubbs now come with their debut long player. As with the singles, both of which are included here, the album is a broken-soul affair and features guests Ty on the title track and Earl Zinger who graces ‘Elevate’ with his distinctive spoken word delivery. Although there’s nothing here to quite top ‘Searching’ the set has some strong moments such as ‘True’, ‘A Little Trouble’, the funky ‘DTs’, and the blissful ‘Raindown’. Well worth investigating.

Mudd: Claremont 56 [Rong Music]

Although Mudd aka Paul Murphy (not the jazz DJ/producer and Afro Art Records boss of the same name) has been producing music in other guises for years now he first came to my attention in 2005 with ‘Kerry’s Caravan’ a collaboration with Chico Hamilton released on Rong Music. More recently he impressed with the brilliant ‘Villa Stavros’ which saw him team up with keyboardist Kevin Pollard. His latest release ‘Claremont 56’ is his debut solo album which takes in elements of slow motion disco, electro and folk resulting in an atmospheric Balearic soundscape. ‘C40’, a tripped out folk instrumental opens the set before merging into the ambient ‘Mount Pleasant Lane’ which features warm key chords from the aforementioned Pollard. ’54B’ is a solid discoid piece but it’s Mudd’s jazzier side that appeals to me the most with tracks such as the soothing fusion outing ‘Spyro’, ‘The Snicket’ which is underpinned with a subtle samba rhythm and the gentle Latin flavoured ‘Summer In The Wood’.

Gary Marks: Gathering [Kindred Spirits]

Originally released in 1973 Gary Marks’ ‘Gathering’ gets a welcome reissue by Kindred Spirits. Gary has a gentle yet mesmerizing quality to his voice and together with his band, featuring amongst others guitarist John Scofield and David Samuels on vibes, he delivers a stunning collection of folk-jazz compositions. ‘Sailing’, a tranquil piece, the blissful ‘We Free’, the funky fusion instrumental title track and ‘Him Sometimes’, a superb modal outing are all exceptional but this album is a pleasure to listen to from beginning to end.

Adriana Evans: El Camino [Expansion Records]

When Adriana Evans’ self-titled debut was released in 1997 it impacted greatly on the newly emerging neo/organic soul scene. Although her follow up ‘Nomadic’ failed to spark the same level of interest this, her third set sees a return to form. It features all the traits of her first, strong beats, infectious horn arrangements and of course Adriana’s delectable vocal tones. She particularly shines on ‘Hey Now’, ‘Calling Me’ and ‘Undercover’ along with the mellow samba ‘Blue Bird In Bahia’ and the Latin flavoured ‘All For Love’, all of which are like a breath of fresh air.

Simone Moreno: Samba Makossa [Soul Dog Records]

Vocalist, Simone Moreno has steadily been releasing material in her native Brazil since her self-titled debut in 1994. This, her fifth set is the first to be released outside of Brazil and was recorded in Stockholm, Sweden where she now resides. ‘Samba Makossa’ draws together a variety of influences from bossa nova and samba to Afro-beat and reggae. Although the album overall fails to capture my interest it does include pleasurable moments such as the funked up ‘Umbabarauma’ and the breezy ‘Meio De Campo’. Well worth investigating for these tracks alone.

Double Beat: Something New [Big Sur]

‘Something New’ is Double Beat’s follow up to ‘International Funk Music’ (Big Sur 2004). Stefano Ghittoni (manager of Big Sur Recordings) and Marco Rigamonti are both DJ/producers who together have produced a hybrid sound of funk and nu-jazz built around 4×4 house beats. For me the set lacks the vital ingredients to give it longevity but ‘Profondo’ and particularly ‘Beat It’ with its African vocal snippets would certainly work in a club environment.

Watch TV And The Primetimes: Discolexia [Hitop Records]

Watch TV (Ruben Garcia) and his band The Primetimes combine programmed beats and samples with live elements to create a set of mainly dance-floor orientated nu-funk grooves. Although this isn’t a bad album, as with the Double Beat set, it lacks those classic elements. For the younger crowd though like those who frequent The Hi-fi Club (Leeds) I’m sure it will win favour.

Secret Stealth: Mince & Onions [Bocajito Records]

Secret Stealth are Nottingham’s Bob Sadler and Jim Baron and the oddly titled ‘Mince & Onions’ is the follow up to the duo’s 2005 debut ‘Ssshhh’. With element of disco, boogie, electro and house all thrown into the mix this should appeal to fans of the Baron’s other project Crazy P. The soulful cuts ‘Drive Me Crazy’ and ‘Hooked On You’, both of which feature Holly Brackler on vocals are the standouts for me along with ‘Free’ a gorgeous string laced arrangement reminiscent of 4hero.

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