Firstly I must warn you… there is a dark, filthy, nasty world where Seiji has trodden and from where he has discovered the East-Mental Vocal remix that is far too dangerous for you to encounter… better we confine ourselves to the project that is ‘The Album’ as safety is paramount.

You may have read that the album is a fusion between Brasilian and Asian kaleidoscopes – well even that is a little misleading. FarOut produce some great releases, of which this is one, but with a clear Brasilian umbrella covering their catalogue, so that’s where I want you to position yourselves. This is as elegant as you would expect of Joyce; this is as dramatic as you would expect of Grupo Batuque; and this is as gripping as you would expect of Azymuth.

Gabriela Geluda’s songs are full of timbre and warmth on all eleven pieces here, ‘Grito’ is powerful stuff indeed (and perhaps why Seiji has picked up on it and…. lets not go there!). ‘Vega-Lume’ is the band’s most recognisable offering and worthy of its place in 2006 alone, ‘Rejoycing’ is a great bossa splash and ‘Nunca Never’ is quirky and jumpy – a sit up a take note kind of tune.. Great.

So where indeed does Democustico take the listener? For me, who revels in all things Brasilian, it’s a class offering from a great label with ever so subtle touches of tambura, pandeiro, rain sticks, bells and cleaver programming, courtesy of Roc Hunter, providing me with an album that will last and last, and something I am confident you would agree with. For those who need a little more encouraging… listen to ‘Pera’, listen also to ‘Brasil’ and tell me I’m wrong!

Steve Williams

What’s more of a challenge – to be given an album you enjoy to review or to be logical and constructive about something you are not that all too sure about? For most, music is good music to somebody, if only the creator of the music. Let’s therefore try to be constructive about an album I love, about a band that when playing live are exciting and maybe even about a band that shines above many in this year’s bombardment of quality releases as, dare I say it, the year end is neigh.
The jazz critic: ‘Morning Brings The Light’ comes at you like some unearthed Gilles Peterson discovery. Flute and vocals with amazing rhythm, with complex yet almost basic ideas associated with labels like MPS and Impulse. How have they managed to create this familiarity in today’s age of technology? Perhaps, no, simply the best piece of jazz for me this year.
A world music perspective: ‘I Remember My Life like A Story’ blasts you with Balkan violin madness, gypsy almost but somewhere before you reach Tango.and for ‘John Riley’ an invoking Irish love song only to clear the way for ‘One Bright Day’, a folk up-tempo groove with sparks of almost Senegalese undertones. Clever and enjoyable.
So why all the excitement? The band stepped on stage to the words "welcome to a night of folk music".. And that is where the balance of the album sits you – smack in the middle of some outstanding jazz orientated folk. ‘Jane Jane’ is an impressive composition, so too ‘Wonderful World’, aired on the aforementioned Mr. Peterson’s Worldwide programme. Add to that the fact that our very own Sammy Goulbourn’s The Other Side show has featured several offerings from the album too should be a clear guide to its standing.
This studio album is a must and I implore the reader to see the band perform live for they are truly a strong part of our ever changing movement with all things jazz in this country.

Steve Williams

My first encounter with Huba came after picking up two other releases on the Jupiter label; an album by Fly and one by Teddy Rok Seven. This led me on to the Quintessence album followed by Jukka Eskola… the link? Finland!

Nothing could quite prepare me for Huba’s 12″ release ‘Mary’ – heavy vinyl – heavy tune. Perfect music.

The word spread and all the right faces soon had the twelve in their collection, but then what? Well for me it all went a little too quiet for my liking until… the album – delight, expectation, nervousness, enthusiasm, even celebration as the opening ‘Mary’ floods the memory banks with euphoria. So I sit, late on a mild November night, headphones tight and volume… yeh! Just right.

Each of the twelve compositions blend beautifully from one to the next, no disruption, fantastic musicianship prominent and wonderful exciting ideas clear…. ouch ‘Brave & Strong’ smacks you centre face – invigorating soulful and powerful.

What next? Funky licks with ‘Who’s Got The Nerve’, a monster of a tune that gets the pulses racing, and then jazz with the vocal stamp of authority that is Huba. A great groover and a serious contender for a 12″ release in the New Year me thinks. So what’s the verdict? Well for those of you not familiar with Huba need this simply for ‘Mary’ – those of you that oh-so-big-step in front will die for ‘Like Sly Says’ and ‘Summer Morn’, but for me.. where the money is? Well it’s all about ‘Natural High’ the most soulful tune since the year 1979… tears appear. A happy man am I. This gets full marks and then some.

Steve Williams

Ahhhh, if I were asked to review albums like this every day of every week I would truly be a contented soul. The blues has not be represented this strongly since Ernesto’s ‘A New Blues’ album last year (Exceptional Records). Acoustic bliss with someone who actually knows how to produce his own album – precise imagery and colour make this a zero fatigue treat for the ears and a welcome relief for the speakers who have been missing John Martyn dearly. Nothing can quite replace the sound of musicians playing instruments in a rather overwhelming electronic world of jazz and soul music. ‘Pretty Little Thing’ opens the proceedings where you will find yourself settling back into the armchair for what becomes a wonderful and refreshing project. Fink touch all the rite spots with ‘You Gotta Choose’, ‘Biscuits’ and their re-work of ‘All Cried Out’ is a remarkable concept, highlighting a true experience for the listener and clearly identifying their writing skills. The Blues – but not a dead dog in sight! An amazing album.

Steve Williams

Moving on in spirit and body from Fluid Ounce, Zero dB join forces with Ninja Tune and with a little help on the mental ‘Coisa de Gringo’ and ‘A Pomba Girou’ Heidi Vogal; to bring forth a major statement on the nu-jazz and broken beat platform that is the year 2006.
We like this. It does what it was meant to do – blow you! Broken madness, samba rhythms and the all important jazz… bring it and bring it loud. Beat heads and Chelsea Taxis alike will die for ‘Know What I’m Sayin’, then you have ‘A Pomba Girou’ which has been tried and tested on every notable dance-floor the world over and ‘Conga Madness’ sticks its arse out to the dons-of-the-broken beat-scene and messes up their supremacy. Step aside for the bongo, bleep and bassline haecceity will destroy.
‘Tw Quiero’ provides the favela treatment, showing Zero dB’s multi-talented capabilities through a powerful album which should adorn every worldwide music collection. The best thing since vinification.

Steve Williams

“Come on, clap your hands” Anonamas ask… and by close of play that truly is the order of the day to this majestic neo soul album. Beats are strong; rhythms gripping and lyrics thought provoking enough to rank this album high amidst its peers in 2006. For heads bouncing around labels Tru Thought; BBE; Stones Throw and to artists floating around the Mitsu the Beats; Madlib; Ndambi waters will find comfortable refuge here. This sometimes hypnotic collection of ideas comes across as a tried and tested sound rather than the fact of it being a brand new project. Subtle grooves and vocals clarity pull together music for today with maximum impact. There’s no weak links here, proud work by anyone’s standards. Watch out, for they will not lie unnoticed. Particular monsters come by way of ‘Africa’ an almost N’Dambi wonder, ‘Soul Stir feat. C.J. Phelps’ a jazz undercurrent and scat head-nodder, and the anthem that is ‘The Hustle’, contender for track of the year – but fear not, Truth Thru Fiction is a whole album with many segments all of which exceptional. This perhaps stamps as testament to the wonder that is MySpace, for without we would not be here with this album having so much joy.

Steve Williams