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Eric Lau: Makin Sounds [Kilawatt Music]
After listening to Eric Lau’s latest release, “Makin Sounds”, I couldn’t help but think that somewhere there was a vocalist or a rapper who wishes their vocals were sprinkled over his trademark mid-tempo soulful grooves. Although the disc plays like a collection of snippets as only one tune, the mellow bouncy “Cruise Control” exceeds three minutes. However there is still much to savor amongst this twenty track disc. “Home Run” is armed with a rugged beat laced with samples of Buster Rhymes. “Dreamsville” is aptly titled with a laidback rhythm guitar providing a bluesy groove. “Noma” is a standout track that serves as the perfect canvas for Ben Hadwen’s colorful flute phrasing. This is an enjoyable release that will serve as a nice appetizer as we await the new projects this talented producer has in store for us.
Incognito: Transatlantic RPM [Dome Records]
Incognito has been blessing us with jazzy flavored soulful dance tracks for over thirty years and on their latest release “Transatlantic RPM”, One has to admire Bluey’s taste in musicians across the pond for he has recruited an all star line-up to add some additional flavor to his signature sound. You can’t go wrong when you open the set with the incomparable Chaka Khan. While she does a fine job covering the Boz Scaggs classic “Low Down”, she sounds superb alongside Mario Biondi on “The Song”. “Gotta” features a softer side of Poet/Singer Ursula Rucker that is soothing to the eardrums. Of course an Incognito album wouldn’t be complete without the beautiful voice of Maysa and she shines on “Your Sun My Sky”. The rhythm section stretches out and lays down a nice groove on “Expresso Madureira” and “Can’t Get Enough” is an infectious dance track. When you think of the pinnacle of Incognito albums, “Positivity” and “100 Degrees and Rising” come to mind. I’m not ready to add this one to that list but it’s certainly their strongest release since “Adventures In Black Sunshine”. Long time fans and newcomers will certainly this one throughout.
Diplomats of Solid Sound: What goes around [Record Kicks]
Hailing from Iowa City, Iowa, The Diplomats of Solid Sound return with the follow up to the 2008 release “Diplomats of Solid Sound featuring The Diplomats”. “What Goes Around” features eleven tracks of old school soul filled with hip twisting grooves and a funky horn section. Among the highlights are “Promise Of A Brand New Day”, a rock ‘n roll inspired tune armed with vocals by the Diplomettes. “Gimme One More Chance” lays down a nice groove that is augmented by a lush string section. “Bailout” is a funky instrumental that features some impressive work by Nate Basinger on the Hammond B3 Organ. With the album remixed by Adam Gibbons of Lack Of Afro, you sound quality is top notch. Overall this is a solid (no pun intended) release by Iowa based band that will delight those enamored with the vintage soul sound.
Various Artists: G.I. Disco [BBE Records]
What is G.I. Disco? It’s the duo of Kallie Kuts & Daniel Best, two aspiring DJ’s that resided near the US Army bases in Berlin Germany. The American GI’s brought along with them the 80”s club music that was so prominent in the clubs back in the states. Some of hottest music of that period made its way into the clubs of West Germany and West Berlin and would make an impact that is quite evident decades later. Some of the tracks on hand here like “I.O.U.” by Freeze and “Touch Me” by Fonda Rae were synth heavy club classics that came on strong after the end of the Disco era. “100%” by Caprice is typical of those tunes by a one hit wonder that stuck in your head but couldn’t identify if your life depended on it. Other notable tracks include “Another Man”, the 1984 hit by Barbara Mason, “Rumors” by The Timex Social Club and “Do It To The Music” by Raw Silk. This is a strong collection of music that captured the 80’s funk, soul and dance scene. Not to mention the musical seeds that were planted on the German music culture.
Danay Suarez: Havana Cultura Sessions [Brownswood Recordings]
One of the pleasant surprises that emerged from Gilles Peterson’s Havana Cultura compilation was the discovery of singer/rapper Danay Suarez. The talented vocalist easily glides from hip-hop to rnb to jazz and her soprano voice is a delight to behold. One wondered what a treat it would be if she had a project all her own and fortunately someone was listening. Produced by Roberto Fonseca and his Band, this live session in Havana’s EGREM studios showcases her superb vocal phrasing in a jazz forum. On the twenty two minute opener “Ser O No Ser”, Danay swings effortlessly and flows over the gorgeous melodies created by the ultra talented Fonseca on piano. Fonseca and his band play with fire and intensity, seamlessly changing tempo from a slow burn to a spirited fever pitch filled with improvisation of the highest order. On “En Lo Profundo” (In The Depth), is a spirited rumba flavored tune that kicks off with a shimmering timbales and percussions that create haunting rhythms as though they were a wakeup call to the ancestors. Fonseca and his band create plenty of space for Danay’s vocals to soar. The other two tracks are also equally enjoyable, in particular “Hay Un Lugar”, a beautiful ballad. All in all a virtuoso performance by Danay Suarez and a wonderful record that provides a snapshot into the world of Cuban jazz. A four track EP doesn’t get any better than this. Let’s hope the long player is coming soon.
The Apples: Kings [Freestyle Records]
The latest release by The nine piece ensemble known as The Apples is a testament on how the spirit of the funk fuses two worlds into one musical stew. The two main ingredients of this stew is Fred Wesley, he of the infamous JB’s and legendary funk pioneer trombonist who opens the first half of the disc. The second half features vocalist/percussionist Shlomo Bar, the Godfather of Israeli world music. Wesley provides the intro on the track “Howlin’ With Fred” with a funky riff that leads into a fierce groove laid down by the rhythm section. The title track provides more energetic funk improvisation by Wesley and the band and is augmented by DJ Todres turntable wizardry. Shlomo takes center stage on “Batash (Alwoojdi)”, a rhythmic Middle Eastern flavored tune highlighted by his vocal phrasing and percussion work on the darbuka. Shlomo also performs on “Banana Jam”, a musical gumbo filled with Afrobeat rhythms, wicked grooves and spirited horn arrangements. The band produced and arranged all tracks and each one stands on its own. It also helps that they kept the tracklist amount to eight tunes. At no time are you worn down by the amount of tunes or the lack of quality. That said “Kings” is an example of what happens when musical cultures collide and you surround it with talented musicians. The result is an engaging recording that is worthy of repeated listens
Skymark: The Sound Of Silence [Modern Sun Records]
There’s nothing like a jolt of some twisted psychedelic soul that just takes your mind on a natural high. That’s the feeling one might have after listening to "The Sound Of Silence" by Skymark. Skymark, who is also a member of dj collective Soul Sociedad has crafted an album filled with irresistible hip-hop beats, jazzy grooves and warped out synth arrangements that grab your attention with vice grip intensity. Among the highlights are “Understand” and “There You Go”, both of which feature the deep voice of rapper/singer Black Spade. The latter of those two is a neck snapping organ grinding beat treat worthy of repeated listens. “Ancestral Summer” sparkles with cosmic Fender Rhodes reminiscent of early Lonnie Liston Smith classics. The cosmic vibes and the thick mellow beats are augmented by the talented singer Ovasoul 7. “Pleasure Remix” is a bit lighter than most of the tracks here but no less exotic and entertaining. Joseph Junior sprinkles his velvet voice on the track to add additional coloring to this musical canvas. As gifted as these vocalists are, these compositions stand on their own as hypnotic and imaginative slices of future soul that should propel this disc to one of the highlights of the year. Highly Recommended.
DJ Spinna & BBE Soundsystem: Strange Things & Funky Things Vol.5 [BBE Records]
DJ Spinna continues to dig in the crates in order to shine the light on the underground soul and rare grooves of the seventies with satisfying results. “Strange Things & Funky Things Vol.5” is jam packed with an assortment of tasty treats you may or may not be familiar with but you’ll no doubt enjoy them. The disc starts out with the silky seductive “Sweet Stuff” by Sylvia. This is definitely a dim the lights and hold your lady tight track. “Capricorn Rising” is one of those quality timeless tracks that slips through the cracks and you’re left wondering why. This is a wonderful jazz infused record by Richard Evans reminiscent of Charles Stepney’s arrangements with Earth, Wind & Fire. Other highlights include the afro-Latin rhythmic “War Is Coming” by War and “Obaa Yaa Aye Me Bone” by CK Mann & his Carousel 7. The latter is a thirteen minute medley of deep and funky Afrobeat rhythms that is essential listening. Overall DJ Spinna has created a tremendous passage into an era where quality recordings were the rule and not the exception. Need an immediate soul and funk injection, you’ll be wise to pick this one up.
Bilal: Airtight’s Revenge [Plug Research]
There aren’t many artists that can have a nine year gap between albums and still remain relevant but Bilal has done just that. In fact, with each guest appearance and live performance, the anticipation for this release grew at a rapid rate. Finally with “Airtight’s Revenge”, Bilal delivers an eclectic project that merely scratches the surface of his unique talents yet still provides definite satisfaction. Right from the start we’re treated to the twisted funky grooves of “Cake and eat it too” where he unleashes many layers of his infectious voice. “Move On” is another funky experimental highlight that laments on the heart break of a lost love. “Robots” is laden with slick grooves and wicked electric guitar licks. It also provides some social commentary on the political machine that exists how it affects the common man while the rich get richer. The disc wraps up with the acoustic flavored “Think It Over”, a warm and heartfelt ballad. Bilal isn’t content with going with the flow but instead seeks to push the boundaries of his musical landscape. This is a welcome return and hopefully there’ll be much more to follow.
Nat Birchall: Guilding Spirit [Gondwana Records]
It’s hard to listen to Nat Birchall’s latest release and not feel the spirit of John Coltrane swirling in your head. Like the tenor titan, Birchall brings a lot of depth and spirituality to his compositions and surrounds himself with a ensemble of talented musicians to bring out the best in him. On the opening track, “Open Up The Gates”, Birchall starts out with a colorful solo on soprano before building into a intensified and melodic gem. “Keep The Lights Shining is another winner where pianist Adam Fairhall’s harmonic explorations blend perfectly with Birchall’s passionate playing. The disc wraps up with the title track, a beautiful ballad that starts out with the subtle yet moving cymbal playing of drummer Gaz Hughes as well as Chris Manis on percussion. Birchall and Fairhall complement each other well as they ascend to heavenly heights on this emotional composition. Despite the obvious influences, Nat Birchall and company have created a wonderful record that showcases his own voice and asserts him as a musician to keep an eye on. Highly recommended.