The meaning behind the name Collage is exactly what you might expect, a diverse collection of musical elements. In the case of Collage the group hailing from Estonia , they have assembled an infusion of pop, folk and classical music aptly called Estonian Folk, a nod to the group’s homeland roots. The amazing thing here is that this is a reissue, a recording from the late 60’s that would easily fit in with any current recording of today. Estonia is located on the outskirts of the Soviet Union and is also the location of the Talinn Conservatory School of music, where a group of students was recruited by Ravio Dikson. The results are a peaceful blend of world music. Some of the standout tracks are “Petis Peiu”, a Brazilian flavored tune. “Vastalaul” begins with collective harmonies that would make the Manhattan Transfer proud and then glides into a folk flavored samba. “Ehted Kadunud” is a mid-tempo soul groover with funky rhythm guitar licks. ”Tutar Nubab Ema” is a warm modal jazz ballad that features superb flute playing over a seductive piano melody. Never mind that the tracks here are sung in Finnish. The melodies of the music and the vocal harmonies provide a pleasant listening experience no matter language barriers may exist, not to mention an insight into the musical Estonian musical history. This is certainly worth checking out.

Reg Dancy

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After sprinkling several singles over the past year, LA’s Dam Funk releases his much anticipated debut “Toeachizown”. Dam Funk has crafted a funk album that features 80’s synth arrangements reminiscent of pioneers like Zapp, Cameo and a little touch of Prince. The difference is that he has successfully composed his own signature modern funk sound that he can call his own. “Toeachizown” takes on many different moods, from earthy mid-tempo grooves to up-tempo in your face funk. There’s many tracks to savor such as the ambient “Come on Outside” which displays his wizardry with drum programming. “Brookside Park” is a near 10 minute instrumental that would be the perfect leisurely drive jam on a lazy afternoon. “Searchin’ 4 funk’s future” gives a nod to Dam’s love house music. Just imagine Mr Fingers laying down some G-funk and this might be the result. Like past funkateers before him, Dam Funk also proves to be a very capable balladeer, as evidenced on the track “I wanna thank you for”. Overall, “Toeachizown” succeeds by revitalizing a piece of the boogie funk grooves of the past and making it sound relevant today. This is very enjoyable and refreshing debut by an artist poised to make a lot of noise in 2010.

Reg Dancy

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Kira Neris made a big splash with the 2007 release of “Behind closed doors”, sampling jazz standards and arranging them with dance and house flavored grooves. He picks up where he left off with “A frozen second”, another beautiful collection of edited nu-jazz compositions. Kira starts things off with “Judy in June”, a mid-tempo nu-jazz groover that features warm female vocals dancing over a simple yet poignant piano melody. “Shivering Waltz” is aptly named for its dreamy hush like arrangements. “Rush!” is a foot stomping dance floor gem complemented with sampled piano riffs and warm string arrangements. “Damage!” is a futuristic house track with a hypnotic groove and a funky male vocal hook that repeats the verse “take it and do whatcha wanna do”. Kira Neris’s production talents and his affection for various musical genres are evident and a boon for the listener. This is another wonderful release filled with songs that would fit nicely in a club, a lounge or in your living room. Listen and enjoy.

Reg Dancy

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Fat Freddy’s Drop has already achieved rock star status in their native New Zealand and continues to attract large crowds throughout Europe. Now with their second full length release “Dr Boondigga and The Big BW”, the seven piece band aim for world wide recognition and based on this recording, they may be ready to pull it off. The band’s musical style is an amalgamation of reggae, dub, soul and funk and the musical acumen throughout the group is impressive considering that each member has played vital roles in various groups before merging into this band. The production and horn arrangements shine on the opening track, “Big BW”, a mid-tempo soulful number augmented by the falsetto voice of Joe Dukie, who blesses all remaining tunes as well. “Shiverman” is a ten minute jam session that starts off with a funky electric guitar riffs and features Hopepa on Trombone. “The Raft” is a reggae/dub number complete with a thumping bass line that would be just an average tune if it were performed by a lesser band. Instead the musicianship of this group and Dukie’s vocal abilities make this a bona fide winner.  “The Camel” starts out with a wicked improvised electric guitar solo before settling into a funky mid-tempo groove that provides plenty of space for Joe Dukie and special guest Alice Russell to glide over. One listen of this cd will have you checking the FFD website for tour dates. As great as this record will sound coming through your speakers, the experience of hearing them live will cement your admiration for this talented band for years to come. Highly recommended.

Reg Dancy

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Without question, there are more than a handful of folks that doubted that Disco would still be relevant yet here we are thirty years later and Disco still has a home in the hearts of many. You can thank artists like Al Kent for giving it the respect it deserves. Fresh off his project with the Million Dollar Orchestra, Al pays tribute to the genre and the DJ’s that made the music so beloved by many and a lightning rod for others with “Secret Sounds”. Al starts things off with an intro for an advertisement for hustle lessons, the featured dance from the early seventies that everyone tried to master with varying degrees of success. This is followed up with the synth flavored disco track “I like it”. “Come back home” is a soulful tune due in large part to Tyrone Taylor on vocals and laced with strings that would make Vince Montana proud. This is arguably the best track on the disc. Normally I don’t get caught up with interludes but in this case it does provide a service in paying respect to the DJ’s in general and to pioneers like Jellybean Benitez and Tee Scott in particular. The impact they had would set the tone for all the prominent DJ’s of today. Other notable tracks include “Get Funky” starts out with a simple keyboard melody before sequeing into a funky disco stomper with horns. “Reverb is your friend” is a sublime mid-tempo track that isn’t quite a disco track; instead it’s a lovely reverb instrumental that could fit nicely into any lounge today. The disc concludes with the percussion laden “Tenner Rap”, a surefire disco jam floor filler. Al Kent’s love for disco is unsurpassed and if you ever loved the music, you’ll appreciate his dedication and no doubt enjoy “Secret sounds”.

Reg Dancy

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It’s not uncommon for artists to explore various musical styles on separate projects but on “Double-Booked”, Robert Glasper brings two worlds together on one very impressive record. Glasper’s fourth release starts out in the traditional jazz trio setting and begins with “No Worries”. Robert starts this wonderful tune off with a entertaining intro before sequeing into a gorgeous melody. Drummer Chris Dave creates plenty of space and Vicente Archer always provides the right notes for Glasper’s glorious soundscapes. “59 South” is another lovely composition where Robert strikes the right balance between sheer power and delicacy. Things get a little funky as we segue to the experimental set. Robert starts things off with Herbie Hancock’s multi-rhythmic fusion gem “Butterfly”, which also features Casey Benjamin on the vocorder. Casey shines again on alto sax on the spirited aptly named “festival”. “All Matter” is a beautiful ballad that is augmented by the vocals of Bilal. There aren’t many discs out that can capture the essence of beauty on one hand and deliver the funk flavored deep grooves on another but this one does. This is one fabulous record that you shouldn’t miss.

Reg Dancy

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Unless you took up residence on the moon two years ago, you surely were among those who celebrated a new voice in Jazz. With “The Dreamer”, Jose James serenaded jazz and non-jazz lovers with a voice not heard since the likes of Johnny Hartman. His velvet tone coupled with outstanding compositions made “The Dreamer” a huge hit. Two years later, Jose returns with “Black Magic” and it’s clear that he’s intent on not reinventing the wheel. Instead he steps out of the box and crafts a gorgeous disc filled with a variety of compositional styles that embarks on an exploration of deep spiritual love and the joy that it brings. The disc starts out with “Code”. The flying Lotus production is a down-tempo hypnotic groover that will have your head nodding within seconds. From this point on, love and sensuality permeates throughout the disc. “Touch” is an intimate portrayal of a man expressing his deep feelings for his mate. Pianist Gideon Van Gelder, who produced and arranged the tune, lays down a beautiful melody for Jose to work his eh, magic. No pun intended. “Promise You Love” is an up-tempo beat driven gem that’s produced by DJ Mitsu The Beats and features Jordana De Lovely on accompanying vocals and Takuya Kuroda on trumpet. “The greater Good” is a soft jazzy number that features precision horn arrangements as well as Gideon on fender Rhodes while Jose courts a woman who may ultimately be the special lady he desires. Jordana appears again on the Taylor McFerrin produced “Love Conversation”, a track that oozes warmth and sensitivity exchanged between two lovers. “No Tellin” may be the only track that resembles anything close to “The Dreamer”. Produced by James, this is a haunting ballad arranged in a trio format that also features him on piano as well. Whatever you do, don’t bother comparing the two discs. Clearly “Black Magic” stands on it’s own as an exceptional record by a rising star. Without a doubt you need this in your collection.

Reg Dancy

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When you listen to the music of Build An Ark, you are truly convinced that music can inspire those who are in need of spiritual healing. It is their mission to spread peace and unity through the music. It is because of tragic events such as the Rodney King beating and riots that took place in band leader Carlos Nino’s hometown of Los Angeles and 9/11 that moved him to deliver the fantastic “Peace with every step” and that follow that one up with “Dawn”. As impressive as those releases were “Love Pt. 1” is without a doubt their best yet. Carlos and the ensemble blend elements of 60’s soul, jazz and even a little folk that captures the spirit of John Coltrane’s latter work, as well as Pharoah Sanders and Joni Mitchell. One of the many reasons that make this record so enjoyable is the musical arrangements are a thing of beauty, considering that the collective membership has grown to more than 40. As a result the live instrumentation reaches symphony proportions. It doesn’t hurt that most of the songs were recorded live and it evident upon the first listen. There are many songs here to savor but standouts include “Celebrate”, featuring long time contributor and baritone vocalist Dwight Trible. “Sunflowers in my Garden” is simply a beautiful tune is written and sung by Waberi Jordan . Waberi, whose voice may remind you of Roberta Flack brings tenderness to this serene recording. Another long time contributor is Miquel Atwood-Ferguson and on “World Peace Now” he sits in the piano chair, provides Flute arrangements as well as playing the violin and Viola to this warm and peaceful instrumental. If you’re spirits aren’t lifted after listening to “Love” check your pulse. This is one record you shouldn’t miss.

Reg Dancy

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You would be hard pressed to find 2 more influential contributors to the world of drum n bass than Dego and DJ Marky. Obviously the good folks at BBE had similar thoughts and decided to combine their talents in one package. “The Kings of drum n bass” is really two cd’s in one with Dego and MJ Marky each delivering over 60 minutes of uninterrupted music. Dego, known for his ground breaking work as one half of 4Hero brings along that soulful element that is so prevalent in their musical catalogue while Marky’s signature hardcore edgy style is a nice change of pace and is sure to keep your body moving. This is essential listening for drum n bass lovers

Reg Dancy

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When trumpeter Matthew Halsall dropped his debut “Sending My Love”, his relaxed tone and superb compositions caught the ears of many by surprise. With a successful debut comes expectations but Halsall appears to be more than up to the task. “Colour You” is supreme quality modal jazz where elusive harmonies soar and the synergy that exists among Matthew and the quintet is simply marvelous. Their chemistry shines on the title track, where Matthew’s free flowing effortless playing is a thing of beauty. Also noteworthy is the work of pianist Adam Fairhall, who seamlessly fills spaces with lyrical playing reminiscent of McCoy Tyner. On the track “Together”, Matthew’s fluid solos and the playing of Rachael Gladwin on harp create the perfect balance to this hauntingly beautiful ballad. On “I’ve found joy”, Matthew and tenor saxophonist Nat Birchall engage in restraint yet adventurous rhythmic soloing that sounds as though they’ve been playing together for years.  “I’ve been here before” is another beautiful ballad showcases the delicate brushwork of drummer Gaz Hughes who performs on tracks 3-6 while Marek Dorcik handles the rest. Simply stated, “Colour You” is a virtuoso performance by Matthew Halsall. Once again the bar has been raised because I can’t to hear what he does next. Highly recommended.

Reg Dancy

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